Boston Rock Photos And Stuff
Friday night found an art show at Moe’s Lounge in Radio’s basement. This was the third installment of the Drop Ya Mic Pickup Yer Paintbrush series that is curated by Nicole Tammaro. There was a slate of musical performances to entertain the art aficionados in attendance. I got there late, but I managed to catch some of Chestnut Growler’s set of stripped-down punk folk tunes.
It’s 6:45 on a Saturday evening. It’s still sunny out, not that you’d know it inside TT’s. It’s fitting that we’re here to see St. Helena. Sure, some of their songs have bright melodies, but there always seems to be a bit of a dark undercurrent. Art imitating life, I guess.
Guilty Party closed out a night of noisy, stripped-down rock ‘n’ roll at PA’s. This crew brought a little extra fuzz and agitation to the festivities.
With sets by Fat Creeps and Royal Wedding still reverberating through the room, Headband kept the rock ‘n’ roll racket going at P.A.’s last Friday night. These guys rattled off a mix of Pavement-style slacker rock, garage grittiness and fuzzed out noise pop.
Royal Wedding is garage rock turned inside out. Acoustic drums trigger electronic drums feeding a pair of upended Roland Jazz Chorus amps. Guitars and vocals echo while the bass rumbles along. These guys sound like the house band in my imaginary post-apocalyptic rock ‘n’ roll film.
The engagingly indifferent indie pop of Fat Creeps reverberated through PA’s on Friday night.
The Den Mothers
Borrow Beg And Steal
1999
Borrow Beg And Steal by The Den Mothers found former Boy Wonder bassist Paul Natale stepping into the spotlight fronting his own band. It comes off like a late ’90s post-grunge version of The Kinks. It’s equal parts clever and cool, making for a good listen.
There’s a tongue-in-cheek sense of humor to the lyrics. Paul’s wit is evident in “The Fake Song” when he sings “I don’t mean to sound negative/I’m best when at my worst.” He describes a new romance during “Kind Of In Love” that I don’t believe, but I do find entertaining.
The Den Mothers didn’t take themselves too seriously on this four song EP. Like a lot of bands I like, they kept it simple. Just write some catchy songs and have fun.
Where to get it:
Township
Coming Home
2007
Township continued the retro-rocking ways of their early EPs on their first full length album, Coming Home. These songs sound like a mix of every ‘70s AOR act you can think of. Foghat? Check. Thin Lizzy? Hell yeah. Heart, The Doobie Brothers, Styx and Kansas? You betcha. Kiss? Check out the “100,000 Years” breakdown and Ace Frehley guitar licks in “Big Bad.” How you feel the big bands of that decade will be a good gut check for how you might feel about Coming Home.
Township dishes out solid classic-rock-inspired fare throughout the record. Coming Home still has the big rock songs you expect from the band. “Millions Of People” has hit single written all over it. “Highway” has some nasty guitar riffs (reminding me of Witchcraft during the breakdown). “Round The Dust” has some cool tempo changes. We also see the guys spreading their wings a bit more.* “Baby Rock Me” is an adventurous ballad with a long slow build. “With You All Along” ventures into Pink Floyd territory.
Township nails the sound of ’70s rock on Coming Home. Check it out if that’s your thing.
Where to get it:
* …and song length. Two of the songs exceed eight minutes in length.
The Michael J. Epstein Memorial Library at the Somerville Public Library? I’m in.
I’m always looking for opportunities to take the boys to see some live music. Big Little One has been into taking pictures lately, so I thought this would be a good opportunity for him to do his first live shoot. I grabbed his camera (and mine of course) and we headed out for the Somerville Library.
We got there a little late. The band was already playing. The PA wasn’t working properly, but this may have been a blessing in disguise. Michael and his bandmates were able to deftly balance their levels with good old fashioned playing dynamics. It made for a folksy performance that suited the songs well. A song like “Lymph Nodes” is made all the more rousing by voices moving air without any amplified assistance.
As for the boy, he had a blast. After the first song he ditched his kiddie camera and convinced me to hand over my iPhone. He spent the rest of the set snapping away. So, what kinds of photos does a five-year-old take?* The most amazing live music photos ever.** See for yourself. The Instagram photos at the end of this set are some of his shots from the day. He even chose the black-and-white filter all by himself.
* To be fair, he’s almost six.
** Full disclosure: I may not be entirely impartial.
Noble Rot
Noble Rot
2006
Noble Rot played a raucous brand of rock n’ roll. It was loud, crude, sophomoric and unapologetic. They shot from the hip and tried to take out as many unsuspecting listeners as they could.
On their self-titled disc, the band made a great first impression with “Kicked To The Curb”. The song is an adrenaline fueled rocker with some fantastic backing vocals. “American Hangover” followed, upping the catchiness without losing any edge.
Digging deeper into this full-length, “I See You Coming” is on par with the first couple of tracks. “Mission Hill” and “Leave The Lights Off” work well with just a hint of street-punk anthem in the mix. The lyrics to “Menace,” “Big Bottle Of Love” and “Detox Bitch” are sordid, even by sleaze rock standards. Not your thing? They didn’t care.
Noble Rot never deviated from their Mötö-copter formula. They stuck to their loud fast rock n’ roll manifesto. Rich Hoss’ distinctive vocals provided an identity for the band. Adi Luv and Rodrigo Van Stoli’s guitars could rip and tear in a way that would make Tracii Guns proud. The rhythm section (Hoss on bass and Wes Narron Jr. on drums) was solid throughout. Noble Rot may not have been reinventing the wheel, but they did a good job rolling it recklessly down the road.
Where to get it:
