Parlour Bells @ Radio 1.18.2013

Oh, Parlour Bells, how you enchant. Sometimes you rumble. Sometimes you croon. You always entertain. The dynamic set you performed for an adoring crowd at the Thank God For The Night release show was one more chapter in this rock ‘n’ roll fairy tale.

OldJack @ The Sinclair 12.15.2012

OldJack was a fine-tuned rock ‘n’ soul machine at The Sinclair. Saint Nicklin & Co. deftly rolled one song into the next, culminating with the pair of holiday numbers they recently made available. Let’s hope the Holiday Homage becomes an annual tradition.

Parlour Bells @ The Sinclair 12.15.2012

Parlour Bells had a big year in 2012. Their Rumble set was one of the highlights at this year’s event. They opened the first ever show presented by Daykamp Music.* The most dapper band in Boston did the same for the last show presented by WFNX while they were still on terrestrial radio. When fall rolled around, they showed off their versatility with a show-stopping performance at the debut of Lounge Act. Well, add one more biggie to the list. With their opening set at OldJack’s Holiday Homage, Parlour Bells became the first Boston act to grace the stage of the newly-opened Sinclair.

I can’t wait to see what they have in store for 2013.

* I’m sure they will consider this a watershed moment in their rock n’ roll careers.

The Phil Aiken Army @ Radio 12.6.2012

Phil Aiken has assembled a most impressive troupe to help him deliver a fantastic set. The Phil Aiken Army effectively lodged the future-classic tune “Holiday Overload” into my brain before launching a blistering cover of “Gimme Shelter” into Somerville night.

Goddamn Glenn & The Parlour Bells Players @ Radio 11.27.2012

Parlour Bells are a natural fit for a lounge themed show. They’ve always had a swanky vibe. Reborn as Goddamn Glenn & The Parlour Bells Players, the band passionately embraced Anngelle Wood’s Lounge Act show at Radio. They stripped back the songs and rebuilt them with a red velvet touch. Magen Tracy and Nate Leavitt stepped out and nailed the noir-tinged sound while Brendan Boogie and Paul Myers kept things buttoned down behind them. Frequent Parlour Bells collaborator Joel Edinberg added some drama on the sax. The mood was set for Goddamn Glenn to do his thing. This may have been the finest performance of Glenn DiBenedetto’s career. He crooned. He swooned. He sat down with the ladies. It was a great reminder that even high expectations can be exceeded when you take the time to mix a mid-song martini.

The Globe Bar is open.

Video from this show: