Here are a few more photos from the Abbey Lounge Reunion at Sally O’Brien’s. This time it’s The Drags rippin’ it up like the good riff-heads they are.
Duck & Cover @ T.T. The Bear’s Place 4.23.2015
Duck & Cover got Rumble Semifinal Night #1 off on the right foot with a set of rippin’ punk with hooks. These wild cards came ready to put up some smiles at TT’s.
Rock ‘N’ Roll Rumble 2015 Semifinal Night #1
Duck & Cover
Soft Pyramids
Zip-Tie Handcuffs (Winner)
Dirty Bangs
Duck & Cover @ T.T. The Bear’s Place 4.13.2015
Duck & Cover have been on my radar for a long time. Their set for Rumble Prelim Night #2 did not disappoint. Appropriately snotty punk with a foothold in good ol’ fashioned rock ‘n’ roll goes a long way in my book. A killer cover of Cheap Trick’s “Way Of The World” didn’t hurt, either. Good times. Good times…
Rock ‘N’ Roll Rumble 2015 Prelim Night #2
Drab
Eternals (Winner)
Raw Blow
Duck & Cover
Bang Camaro @ Brighton Music Hall 5.18.2012
Noble Rot – Noble Rot (2006)
Noble Rot played a raucous brand of rock n’ roll. It was loud, crude, sophomoric and unapologetic. They shot from the hip and tried to take out as many unsuspecting listeners as they could.
On their self-titled disc, the band made a great first impression with “Kicked To The Curb”. The song is an adrenaline fueled rocker with some fantastic backing vocals. “American Hangover” followed, upping the catchiness without losing any edge.
Digging deeper into this full-length, “I See You Coming” is on par with the first couple of tracks. “Mission Hill” and “Leave The Lights Off” work well with just a hint of street-punk anthem in the mix. The lyrics to “Menace,” “Big Bottle Of Love” and “Detox Bitch” are sordid, even by sleaze rock standards. Not your thing? They didn’t care.
Noble Rot never deviated from their Mötö-copter formula. They stuck to their loud fast rock n’ roll manifesto. Rich Hoss’ distinctive vocals provided an identity for the band. Adi Luv and Rodrigo Van Stoli’s guitars could rip and tear in a way that would make Tracii Guns proud. The rhythm section (Hoss on bass and Wes Narron Jr. on drums) was solid throughout. Noble Rot may not have been reinventing the wheel, but they did a good job rolling it recklessly down the road.
Where to get it: