Boston Rock Photos And Stuff
It was a gorgeous day in Cambridge for Make Music Harvard Square. Of the nine or so acts I really would have liked to catch, I managed to see two. Instead of focusing on all of the bands I missed, I will bask in the glory of my boy referring to Goddamn Glenn as “Shiny Pants Guy” when we were talking later about the fun we that afternoon. I’m feeling pretty lucky.
Richard Bouchard has been putting together some pretty great shows over at TT’s lately. This particular Thursday night kicked off with Parlour Bells filling the club with charisma, wit and moody pop tunes. Their tactful mix of songs and showmanship never gets old.
It can be tough having a late slot on a school night. You have to dig a little deeper to keep yourself going. It ain’t glamorous loading out late and getting up early. Some bands can’t cut it. They pack up and go home. Other bands put on their shiny jackets and step onto that stage like there’s no place else they’d rather be.
Parlour Bells…
Here are Goddamn Glenn & The Parlour Bells Players doing that old Irving Berlin standard “Get Thee Behind Me Satan.” This was a highlight among highlights during their Lounge Act set.
Photos from this how can be found here.
Parlour Bells are a natural fit for a lounge themed show. They’ve always had a swanky vibe. Reborn as Goddamn Glenn & The Parlour Bells Players, the band passionately embraced Anngelle Wood’s Lounge Act show at Radio. They stripped back the songs and rebuilt them with a red velvet touch. Magen Tracy and Nate Leavitt stepped out and nailed the noir-tinged sound while Brendan Boogie and Paul Myers kept things buttoned down behind them. Frequent Parlour Bells collaborator Joel Edinberg added some drama on the sax. The mood was set for Goddamn Glenn to do his thing. This may have been the finest performance of Glenn DiBenedetto’s career. He crooned. He swooned. He sat down with the ladies. It was a great reminder that even high expectations can be exceeded when you take the time to mix a mid-song martini.
The Globe Bar is open.
Video from this show:
Parlour Bells
“Airwaves”
2012
There’s a big show at The Paradise on Saturday night. Some former WFNX DJs are putting together an event to celebrate the WFNX that was.* Parlour Bells are on the bill for good reason. They are a band that has always championed radio as being essential to the local music scene, even in a time of readily available digital downloads and internet streaming. They are tireless supporters of Boston Emissions, Boston Accents and any other radio program devoting time to playing Boston artists. They even performed on the resurrected WBCN rock bus. I believe Glenn DiBenedetto when he sings “now my radio dial is missing two front teeth.” He means it.
“Airwaves” is a sentimental reflection on the state of Boston radio in June of 2012. It strikes a chord by revealing the emotion of a specific time and place. “Airwaves” is a song about how fans of Boston radio feel right now. It’s immediate. You can’t listen to Nate Leavitt’s delay drenched guitars and not be reminded of the countless U2 radio anthems broadcast by both of our recently departed rock radio stations. It’s a consoling echo. I’d be lying if I said the song wasn’t playing in my head last night as I lay in bed. The sound of the Metropolitan Chorale** was ringing in my ears as prepared for a new day.
Where to get it:
You can also watch a mini-documentary on the making of “Airwaves” right here.
* See what I did with the link there? Garvy J And The Secret Pockets Of Hope And Resistance are part of the show, too.
** Kerri-Ann Richard, Richard Bouchard, Anngelle Wood, Michael Marotta, Chris Mulvey, Lisa Libera, Leesa Coyne, Adam Ritchie, Rishava Green, Matt King, Michael J. Epstein, Sophia Cacciola, Jessica Sun Lee, Adam Anderson, Michael Gonzales, Ken Marcou, Tom Roppelt, Joel Edinberg, Rachel Blumenthal, Sarah Rabdau, Peter Moore and Dan Nicklin all lend their voices to the song.
It’s Groundhog Day and I feel like I’ve written this post before. You know, the one where I tell you I that think Parlour Bells are pretty great.
Somehow my previous posts singing the band’s praises don’t adequately describe just how good this outfit is getting. Their set at Radio for the Winter Rock Formal was incredible. It was at times dramatic, joyous, haunting and seductive. I wouldn’t mind reliving this one over and over again.
