Boston Rock Photos And Stuff
It’s been a while since I’ve seen Abbie Barrett And The Last Date — too long for a band this good. Their set at TT’s is making me feel like I’ve been missing something.
There was plenty of heart at Bands For Babs. The bands, raffle donors, the fine folks at Radio and everyone who came out to the shows made sure of that. On Thursday night, Jenny Dee & The Deelinquents brought the soul…
Every MixTape show needs one band to suck it up and play the hits. Don’t re-interpret the songs. Don’t play the songs only the cool kids were into. Take one for the team. It’s MixTape 1988. Someone has to play “Kokomo”. In this case, it’s six somebodies. Six somebodies dressed in Hawaiian shirts, Detroit Tigers hats, short shorts and mustaches. Magnum Force.*
When I saw Brendan Boogie sporting an honest to goodness mustache early in the evening, he informed me it was part of his costume for the show. I immediately hoped it was a Weekend At Bernie’s reference and that Brendan Boogie would just play dead on stage. I guess my internal movie database** was off by a year, as that landmark film was released in 1989. I was only mildly disappointed at the Magnum P.I. theme.
* This band was originally billed as Pour Somerville Sugar On Me. Halfway through their set they changed their name to Hungry Guys.
** Hmmm… IMDB. That’s catchy.
Abbie Barrett came out with dark grey clouds hanging over her set. She was up to some serious business. This was quite a shock to me, as my only previous knowledge of Abbie’s work was the song she wrote and recorded (oh, and performed on this very night) with Brendan Boogie that includes a reference to clubbing baby seals. I wasn’t exactly ready for the brooding songstress that came out with her band, The Last Date.
All storms eventually pass, and such was the case at The Rosebud. Midway through her set, Abbie and her band ventured into some more lighthearted material. The transition made me appreciate both the cloud and its silver lining.
Brendan Boogie is a man with a plan. His plan was to release six EPs in the first half of 2011 with a celebratory shindig thrown every month. He just successfully completed* this cycle with another fun night at The Rosebud in honor of Songs From The Armory Vol. 3.
The opening featured Brendan Boogie and his latest co-conspirators playing the songs from the new EP. It was loose and fun for just about everyone involved.**
The second part of the set had Brendan and The Best Intentions ripping through some of their finest material. I know there was a lot of (probably well-deserved) hype about a certain catch-us-before-our-reunion event elsewhere in town, but Brendan and his gang were putting on a memorable show of their own. No regrets here. It was a blast.
* Well, he did take April off, so the sixth EP didn’t come out until July. For some reason I feel the need to mention this (again). I don’t know if this is because I don’t want people to think I don’t know how to count or if I just like giving Brendan a hard time. It’s most likely the latter, but the former gives me a plausible out.
** Seriously, almost everyone had fun with this part. Almost…
Brendan Boogie
Songs From The Armory Vol. 3
2011
Brendan Boogie is back with the last EP of his ambitious project to release new music every month for the first half of 2011.* This time around, Brendan presents us with a third installment of songs co-written with like-minded pop aficionados.
First up is “Attraction Fades”, one of two collaborations with Oranjuly’s Brian King (who has so far managed to avoid the dragons that are no doubt pursuing him). Mr. King’s retro pop stamp is all over this song. This is one of my favorite songs to come out of Brendan Boogie’s EP experiment. I love it.
Naked On Roller Skates’ Leesa Coyne takes over lead vocal duties on the melancholic “Using Me Using You”. The song has a beautiful sadness to it. Brendan’s duet with Abbie Barrett on “Love Is For Losers” lightens the mood as much as a song that references clubbing baby seals can lighten a mood (which, it turns out, is quite a bit).
Brendan Boogie and Brian King reunite for the closing number, a timeless piano ballad titled “With A Single Motion”. The stark instrumentation allows the layered vocals to shine. Fantastic.
Where to get it:
* Much like the mid week hiatus of The Rock ‘N’ Roll Rumble’s preliminary round, Mr. Boogie took April off. Slacker.
