Boston Rock Photos And Stuff
Phil Aiken has assembled a most impressive troupe to help him deliver a fantastic set. The Phil Aiken Army effectively lodged the future-classic tune “Holiday Overload” into my brain before launching a blistering cover of “Gimme Shelter” into Somerville night.
SPF 5000 displayed some seriously impressive musicianship during their set for Anngelle Wood’s Lounge Act show at Radio. They kept a smoldering groove going for the late night crowd.
Have you ever wanted to hear the history of Parlour Bells told by a martini-sipping Goddamn Glenn over a stylish rendition of “Pet Names?” Today is your lucky day. Look past the haphazard camera work and marvel at the band’s closing Lounge Act number.
Here are Goddamn Glenn & The Parlour Bells Players doing that old Irving Berlin standard “Get Thee Behind Me Satan.” This was a highlight among highlights during their Lounge Act set.
Photos from this how can be found here.
Parlour Bells are a natural fit for a lounge themed show. They’ve always had a swanky vibe. Reborn as Goddamn Glenn & The Parlour Bells Players, the band passionately embraced Anngelle Wood’s Lounge Act show at Radio. They stripped back the songs and rebuilt them with a red velvet touch. Magen Tracy and Nate Leavitt stepped out and nailed the noir-tinged sound while Brendan Boogie and Paul Myers kept things buttoned down behind them. Frequent Parlour Bells collaborator Joel Edinberg added some drama on the sax. The mood was set for Goddamn Glenn to do his thing. This may have been the finest performance of Glenn DiBenedetto’s career. He crooned. He swooned. He sat down with the ladies. It was a great reminder that even high expectations can be exceeded when you take the time to mix a mid-song martini.
The Globe Bar is open.
Video from this show:
Lounge Act was a swanky night that Anngelle Wood put together at Radio. Ruby Rose Fox got the evening started amid red curtains and candlelit tables. Her voice wove through reworked originals and well chosen covers to set the mood. Listening to Ruby sing “Watching The Detectives” was worth the price of admission. Mesmerizing.
We should all be lucky enough to approach one aspect of our lives with as much enthusiasm as The Field Effect have for playing their songs* for people.
* And the occasional Weezer cover. They reprised “My Name Is Jonas” from their Halloween set for this show.
This was the first Boston area show for The Rationales with Chad Raleigh on guitar. Based on the string of rippin’ guitar lines he unleashed at Radio, I think things are going to work out just fine.
Velah’s siren songs are calling under the dim red lights at Radio. You’re taken in by their enchanting melodies and rhythmic patterns before the churning guitars envelop you. Velah have the sea at their command. You are immersed.
It was early in the night when The Russians rolled into Precinct as part of the International Pop Overthrow. The crowd surrendered unconditionally.
