Thick Shakes - Why Buy The Cow (2011)

    Thick Shakes – Why Buy The Cow (2011)

    The Thick Shakes Why Buy The Cow EP is everything garage rock should be.

    Paper Airplane Fight and Mellow Bravo @ Moe's Lounge 2.10.2012

    Paper Airplane Fight and Mellow Bravo @ Moe’s Lounge 2.10.2012

    In the grand tradition of Puppet Show and Spinal Tap comes Paper Airplane Fight and Mellow Bravo.

    Gene Dante And The Future Starlets @ Radio 1.28.2012

    Gene Dante And The Future Starlets @ Radio 1.28.2012

    Gene Dante is becoming one of my favorite performers in town. I know I’m late to the party on this one. Let me have my moment.

    Parlour Bells @ Radio 1.28.2012

    Parlour Bells @ Radio 1.28.2012

    It’s Groundhog Day and I feel like I’ve written this post praising Parlour Bells before.

    Aquanutz @ Moe's Lounge 1.20.2012

    Aquanutz @ Moe’s Lounge 1.20.2012

    When Aquanutz opened with “Slide It In”, I knew this show was going to exceed my already high expectations.

    Eddie Japan – “You Will Find Me Dead In My Comfort Zone” (2011)


    Eddie Japan
    “You Will Find Me Dead In My Comfort Zone”
    2011

    Eddie Japan have put together one snappy little pop gem with “You Will Find Me Dead In My Comfort Zone”. If this song was a drug (and given the number of times I’ve listened to this one I can safely say it’s addictive*), I would imagine the listed side effects would be toe-tapping and spinning around.** It’s that kind of song: carefree in feeling with a devilish bent to the lyrics. Less moody and exotic than the typical Eddie Japan fare, “You Will Find Me Dead In My Comfort Zone” proves that good bands play to the song.

    I’m impressed.

    Where to get it:

    * Using the words “safe” and “addictive” in the same sentence feels weird.

    ** Or maybe some enthusiastic head bopping.

    Thick Shakes – Why Buy The Cow (2011)


    Thick Shakes
    Why Buy The Cow
    2011

    The Thick Shakes Why Buy The Cow EP is everything garage rock should be: raw, catchy, overmodulated and pressed on 7″ black vinyl. It sounds easy, but few do it this well. A song as great as “Go Back To New York” doesn’t need to be dressed up in fancy clothes. Just spit, snarl, bang it out and get the kids bopping. You even get a couple of kickin’ B-sides in “Neighbor’s Goods” and “Banned From The Laundromat”.

    As for the vinyl, it’s a small hole 7″ in beautiful basic black. It’s wrapped in a folded jacket and inserted in a vinyl bag. If it ain’t broke, don’t fix it.

    Where to get it:

    Paper Airplane Fight and Mellow Bravo @ Moe’s Lounge 2.10.2012

    In the grand tradition of Puppet Show and Spinal Tap comes Paper Airplane Fight and Mellow Bravo.*

    * Yes, I know this wasn’t technically a Mellow Bravo show, but I didn’t know what else to call it.

    The Resurrectionists @ Radio 2.10.2012

    This was my first and probably my last time seeing The Resurrectionists. It’s not because I didn’t like their take on modern Americana. You see, the band announced that this was likely their last show (at least for a very, very long time). Dang.

    Tad & Kate @ Moe’s Lounge 2.10.2012

    So much good music at Radio this past Friday night! Quality tunes upstairs and down all night long. I shot down to Moe’s Lounge after Reverse’s amazing set just in time to catch Tad & Kate doing their thing as part of Keith Pierce’s new series, Practice. Keith even jumped behind the kit for a couple of tunes. His Mellow Bravo band mate, Seager Tennis, followed suit on bass. This is pretty cool. I want more!

    Reverse @ Radio 2.10.2012

    Reverse killed it at Radio. Reverse always kills it, no matter where they play. There were a couple of noteworthy moments I’d like to bring to your attention.

    First off, I hope their new record doesn’t take as long to make as Monkey Mind did. I can’t wait that long for “Civilian” to come out. That song was electric on Friday night.

    The other thing I wanted to point out was an amazing fill that Mike Piehl pulled off during “Helicopters”. It’s like the guy grew some extra limbs to pull it off. Even the usually unflappable Mike Quinn did a double take. It’s not often a drum fill elicits a cheer from the crowd, but this one certainly did. The audience is listening.

    Swamp Bear @ Moe’s Lounge 2.10.2012

    Ed Llerena of Cask Mouse also has a project called Swamp Bear. Talented dude. He played a few songs down in Moe’s Lounge as part of the new Practice series.* I always like when Ed comes out from behind the drums during a Cask Mouse show, so catching this Swamp Bear set was a nice treat.

    * Practice is hosted by Keith Pierce of Mellow Bravo. It’s fun!

    The Russians @ Radio 2.10.2012

    I said most of what I needed to say about The Russians in my recent love letter to the band. Friday night the band rocked a little and rolled a lot. Man, do I love these guys…

    Reverse – Monkey Mind (2009)


    Reverse
    Monkey Mind
    2009

    You know that game where you put together your dream band from people in bands around town? Wait, what? You don’t play that game? Sure, you do. Anyway, sometimes when I play that game I end up with Reverse.

    Monkey Mind is Exhibit A of what said dream band can do. Let’s start with Mr. Ian Kennedy. The man is one of the most creative guitar players in town. Have you ever heard a Telecaster make such sounds? It’s like he sprinkled it with magic riff dust. Then you’ve got Mike Piehl behind the drums. He’s a beast. Look no further than opening track, “Fluorescent”, for proof. Mike Quinn is about as solid as they come on bass. The kicker is that his backing vocals mesh perfectly with Ian’s croon-meets-scream vocals.

    All of this would be for naught without some songs to back up the sonic fury. Thankfully, Reverse don’t let us down there, either. Monkey Mind is one solid record in the songwriting department. The aforementioned “Fluorescent” is in-your-face, melodic and has a heavy groove. I think I’ve mentioned in the past how much I love “Victoria”. “Slow” alternates achingly beautiful verses with a devastating chorus. “January” is a great example of how well Ian and Mike Quinn’s vocals work together. The title track and “Helicopters” are as frantic as “Good Cop Bad Cop” is deliberate. Every song has hooks to spare.

    Monkey Mind came out some seven years after Reverse’s debut, The Jersey Switch. Let’s hope we don’t have to wait that long for their next record.*

    Full Disclosue: The lovely and talented Nicole Anguish of Daykamp Creative did the artwork for this record.** That doesn’t make this record any less of a monster. Just letting you know.

    Where to get it:

    * Seriously, guys, don’t make us wait that long again.

    ** I think the artwork was done some 4 years before the record came out.*

    Black Helicopter @ Radio 2.3.2012

    Black Helicopter descended on Radio with massive riffs and set list wristbands.