When I caught The Susan Constant at TT’s a couple of weeks ago, I was impressed by the new songs they’re working on. While that’s still the case, their show at The Middle East Downstairs this past weekend reminded me that “Midwestern You” is a great set closer.
The Susan Constant were up first at December’s Rock-n-Romp event. I’ve seen these guys win over all sorts of crowds, so it was no surprise to see the kids (and parents!) at The Sinclair smiling.
Change of venue? No problem. Change of date? No probl… er… one problem. No drummer. Get Jim Theodore from Butterknife to fill in? Problem solved. The Susan Constant helped make the Butterknife EP release the special night it was. They even covered a Butterkife song for the occasion! Awwww…
The Susan Constant closed out Night #1 of The Daykamp Poster & Photo Show. This band is all heart. Oh, and songs. Heart and songs. This band is all heart and songs.
Well, look at that. Yesterday saw the release of some brand spankin’ new videos from three bands playing around town. Who knew that the Tuesday after Labor Day was the official “Release You New Video Day” in Boston? Er.. Bearstronaut, The Susan Constant and Endation, I suppose. In honor of these 3 new clips released on September 3rd, I’ve decided to sum up each video in 3 words. See what I did there?
Bearstronaut – “Where I’ll Die”
Art gone bad.
The Susan Constant – “Midwestern You”
Paul’s rough walk.
Endation – “Staab”
All fall down.
There you have it. Three more bands providing evidence for Michael Marotta’s theory that “we’re living in the post-MTV Golden Age of music videos.”
Bonus time: Pixies released their video for “Indie Cindy” yesterday, too!
We’re putting on a a couple of shows with rock bands, photos and posters at TT’s in October! It’s going to be more awesome than we can put into words. That’s why we had Richard Bouchard do it for us! Here’s a special guest post from the Indie Rock Ranger with the details…
When I was first hired to do booking at TT the Bear’s Place, one of the first things I wanted to do was set up a show with Nicole and Johnny Anguish of Daykamp Creative and Daykamp Music, respectively. I’ve been hiring Nicole to create show posters since back in the Boston Band Crush days, usually giving her no guidance other than the list of bands and the date of the show. She always delivers an incredibly eye-catching, colorful design that doesn’t just provide information; it’s something I want to hang on my wall forever. Then there’s Johnny, always front and center for a rock show before posting amazing photo recaps on his Daykamp Music website. They tirelessly support the music community here, and knowing that I wasn’t the only one to feel that way, I felt that it was high time they present a show. Not just any show, mind you, I wanted them to pick the bands – artists they’ve worked with over the years and bands they’re longtime fans of – but I also wanted to display their work in the club for everyone to see. After some brief discussion, Nicole emailed me back: “We’re thinking we need to do two nights…”
Here’s what they came up with:
- Earnest and upbeat punk poppers The Susan Constant
- Just stepped out of a Tarantino movie band Eddie Japan
- Loungecore pioneers Parlour Bells
- Boston rock veteran supergroup Gymnasium
- Ad hoc acoustic trio Davina Yannetty, Phil Wisdom, & David Mirabella
- Cooler than everyone rockers Reverse
- Glamboyant up front, business in the rear power pop demons Sidewalk Driver
- Tight as hell and wonderfully rousing troublemakers Garvy J and the Secret Pockets of Hope and Resistance
- Noisy and raw spywave duo Do Not Forsake Me Oh My Darling
- Holy shit all these guys were in Scamper: Nate Rogers, Brendan Boogie, & Mike Mirabella
Posters and photos from the Daykamp empire will be on display for the entire week between shows.
– Richard Bouchard
It’s Rumble season. Every year around this time I’m filled with an equal mix of anticipation and nostalgia. That’s the kind of event The Rumble is. You get to check out 24 of the best bands playing around town in one* fell swoop while making memories that
will haunt you you’ll remember for a very long time.** With that in mind, here are 24 reasons why I can’t wait for the 2013 Rock ‘N’ Roll Rumble to get underway on Sunday night. These are in no particular order, but I numbered them 24 to 1*** because that’s what all important lists do. Oh, and here’s the full schedule in case you missed it.
- Opening night is going to be awesome. The lineup of The Okay Win / Cancer Killing Gemini / The New Highway Hymnal / Velah is as good as they come. You’d be hard pressed to find a better way to spend a Sunday night all year. It’ll be better than the Mad Men premiere.
- The Rumble is known for eclectic bills, but this year takes the cake. Saturday’s Parks / Jack Burton vs. David Lo Pan / Ruby Rose Fox / The Daily Pravda lineup is certainly in contention for most diverse night of this year’s event. Thursday night’s Mount Peru / Whitcomb / Lifestyle / Twin Berlin bill is in that conversation, as well.
- There’s almost no stage banter. With only 30 minutes to impress the judges and win over the crowd, most bands have fine-tuned their sets. That makes a good line all the more memorable. My favorite came from 1998 Rumble winners The Ghost Of Tony Gold: “Vote The Ghost. We need the cash.”
- Pre-show beer at the back bar while shooting the breeze with some increasingly tired friends who keep coming out night after night? Yes please.
- There’s always a good story. Old Jack had quite the memorable run a couple of years ago. Last year Tommy Lada competed against himself in the semifinals playing with Ghosts Of Jupiter and Garvy J. And The Secret Pockets Of Hope And Resistance on the same night. We also had The Grownup Noise as the special guest band after they had to drop out of the competition due to injury. I’m looking forward to watching this year’s event unfold.
- Anngelle Wood is going to cry. It’s inevitable. She just cares so damn much. This town needs more people like her.
- It’s always fun to see a band a second time. You’ve got an idea of what to expect, but you certainly don’t know all of their tricks. I get to do that 3 times on Monday (Endation / The Deep North / Camden) and one more time on Tuesday (Blackbutton).
- Editing photos at 3 o’clock in the morning is awesome. I think. I can’t really remember. I mean, half of the time I black out and can’t remember doing it. Sometimes I just fall asleep with my eyes open and my hand on the mouse, waiting for my brain to decide if the exposure needs to be nudged up a bit or… zzz…
- Bow Thayer And Perfect Trainwreck won The Rumble last year. Cask Mouse had a stellar showing as well. Girls Guns And Glory won it all a few years back. A touch of twang seems to go over well with the judges. Coyote Kolb and Glenn Yoder & The Western States would probably like to see that trend continue.
- I love seeing live bands.
- The Rumble is a living, breathing thing. It adapts over time. After a particularly contentious semifinal round in 1998, the wildcard was added to advance to the finals. Since then, three of those wildcards have won the whole shebang. The spirit of the event has evolved, as well. What was once a true competition is now more of a home grown music festival. Change can be a good thing.
- I have no idea who is going to win.
- I saw some of my current favorite bands for the first time in The Rumble. I’m looking at you Sidewalk Driver****, Mellow Bravo and The Susan Constant. Am I going to become obsessed with The Okay Win, The New Highway Hymnal, Herra Terra, Supermachine, Glenn Yoder & The Western States, Coyote Kolb, The Suicide Dolls, Mount Peru, Whitcomb, Twin Berlin, Parks or Jack Burton vs. David Lo Pan? I wouldn’t bet against it.
- I love Eddie Japan. It’s movie music where I get to make up the movie in my mind. I don’t know who will advance from Tuesday night’s lineup, but I’m pretty sure everyone will walk out of TT’s with the trumpet line from “A Town Called Nowhere” in their head.
- White Dynomite members have participated in more Rumbles than all of the other bands combined. Hell, my band even lost to one of these guys back in 2002. Will all that experience give these guys an edge? Find out next Friday.
- Looking at the list of past Rumbles makes me wish time travel was real. If I could go back in time to see one Rumble final that I missed it would be 1996. Trona and Quintaine Americana? Are you kidding me? So good.
- I need to see Parks live. I’m in love with their first two singles, but I haven’t been able to catch a show yet. This all changes next Saturday night.
- What about heavy music? Motherboar made it all the way to the finals last year with some brutally amazing sets. Sherman Burns tore their way into the semis as a wildcard. Jack Burton vs. David Lo Pan, Whitcomb and Supermachine are likely hoping for similar success.
- The time between the last band finishing their set and the night’s winner being announced is gloriously awkward.
- The Rumble is never boring. The American Measles wore Kiss makeup. Cracktorch could jump really high. Keith Pierce finished Mellow Bravo’s preliminary round set on top of a car in front of TT’s.***** What’s next?
- For the bands, The Rumble is a great way to get in front of people who may not have any idea who you are and win them over. Rumble crowds are good like that. I’ve seen The Field Effect take on some pretty diverse audiences in the past six months. Their enthusiasm is undeniable. Win or lose, The Field Effect is going to walk away with a boatload of new fans.
- I’ve seen a lot of Rumble shows over the years, but last year was the first time I was able to attend every night. It was a blast. I can’t wait to do it again.
- Have I mentioned that The Okay Win, Cancer Killing Gemini, The New Highway Hymnal, Velah, Endation, The Deep North, Herra Terra, Camden, Eddie Japan, Supermachine, Glenn Yoder & The Western States, Blackbutton, Mount Peru, Whitcomb, Lifestyle, Twin Berlin, Coyote Kolb, The Field Effect, The Suicide Dolls, White Dynomite, Parks, Jack Burton vs. David Lo Pan, Ruby Rose Fox and The Daily Pravda are playing? That should be reason enough.
- Rumbles are unpredictable. There will be “upsets.” Bands will be “robbed.” Allegations will fly. Someone might get glitter bombed. Life will go on. A good time will be had by most. Friendships will be made. Future shows will be set up. Somone will leave with a tiara on. We’ll all have a good laugh about it in the morning.
Is it Sunday yet?
* Well, nine fell swoops, I guess.
** Personal experience tells me at least 15 years.
*** Oops. That list reversal attribute in an HTML5 tag. some of you may be seeing this 1-24. Isn’t technology fun?
**** Technically not the first time I saw them, but that’s a story for another time.
**** I missed this show. Sad face. Thankfully there’s this video.
The Susan Constant has something special going on right now. They kicked off a
four three band bill at The Middle East last Thursday. Boston’s favorite band named after the largest ship of the English Virginia Company had the songs and the presence to get the night going full speed ahead in a hurry.
The Susan Constant celebrated the release of their Shapes EP with a sold out show at The Middle East Upstairs. The enthusiasm the band has for playing live is obvious. They fed off the reaction from the fervent crowd, becoming increasingly more animated as the set went on. The Susan Constant are leaving their mark on this town. It’s fun to watch.